About

Alana Bartol comes from a long line of water witches. Investigating alternate epistemologies within and beyond the human body, her site-responsive works propose dreaming, walking, and divination as ways of understanding across place, species and bodies. Her work has been presented and screened nationally and internationally at various galleries including PlugIn Institute of Contemporary Art (Winnipeg), ARC Gallery (Chicago), Karsh-Masson Gallery (Ottawa), Simultan Festival (Romania), Museo de la Ciudad (Guadalajara, Mexico), Access Gallery (Vancouver), InterAccess (Toronto), Art Gallery of Windsor (Windsor), and Groupe Intervention Vidéo, (Montréal), amongst others. Recent residencies include The Banff Centre, Neighbourhood Time Exchange (Prince George, BC), Open AiR (Public Art, The City of Calgary), and the Santa Fe Art Institute. She currently lives in Calgary and teaches at Alberta College of Art+Design.



Words and Websites
What Happened When One Artist Tried to Walk Calgary’s 174-km City Limits, Leah Sandals, Canadian Art online, November 2016
Loving Conversations, Caitlin Chaisson, Neighbourhood Time Exchange Blog, 16 Nov. 2016
Exhibition Essay for Far Away So Close: Part III, Kimberly Phillips, Vancouver: Access Gallery, Oct 2015
Review - Water Witching with Alana Bartol, Keagan Perlette, SAD Mag, Nov 4, 2015
Abstract Ecologies – A Conversation with Amber Christensen Greg J. Smith, Creative Applications Network, 22 Sept. 2015
Restless Precinct
TOXICITY

Collaborators:
Arturo Herrera
Lisa Myers
Sarah Nordean
Camille Turner
Amanda White
Jennifer Willet