Born in Halifax, Canada, Alana Bartol comes from a long line of water witches. Through performative, research-based, and community embedded practices, her site-responsive works propose walking and divination as ways of understanding across places, species, and bodies. Bartol’s work has been screened and presented across Canada at InterAccess (Toronto); PlugIn Institute for Contemporary Art (Winnipeg); Access Gallery (Vancouver); M:ST Performative Arts Festival (Calgary); Art Gallery of Windsor; and Group Intervention Vidéo (Montréal), as well as in Romania, Germany, Mexico and the United States. She currently lives in Calgary where she teaches at Alberta College of Art+Design. Photo: Bryce Krynski

This Artist Wants You to Adopt an Oil Well. Here’s Why. Leah Sandals, Canadian Art online, October 2017
Exhibition Essay: an aware form of care Ashley Bedet, Calgary: TRUCK Contemporary Art, September 2017
http://albertasocietyofartists.com/wp-content/uploads/2014/05/FINAL-Broadstrokes-2017-Fall-web.pdf Interview with Shannon Bingeman, TREX SW Program, 2017 pp. 9-16
What Happened When One Artist Tried to Walk Calgary’s 174-km City Limits, Leah Sandals, Canadian Art online, November 2016
Exhibition Essay for Far Away So Close: Part III, Kimberly Phillips, Vancouver: Access Gallery, Oct 2015
Review - Water Witching with Alana Bartol, Keagan Perlette, SAD Mag, Nov 4, 2015
Abstract Ecologies – A Conversation with Amber Christensen Greg J. Smith, Creative Applications Network, 22 Sept. 2015